Showing posts with label Ranger. Show all posts
Showing posts with label Ranger. Show all posts


The new Still Here clear stamp* set is part of Simon Says Stamp’s October Sending Cheer release. This stamp set, with the peace hand sign, truly evokes the feeling of the 1960s. It makes me think of tie dye, bell bottoms, and the Beatles.


I decided to use a rainbow effect on the hand, and Distress Oxides were the perfect medium. I used a different Tim Holtz Tiny Ink Blender for each color, and diffused the ink before I stamped each time. So, it went like this: I inked the top of the hand, using a tiny blender, with Abandoned Coral Distress Oxide. Then I diffused that color at the bottom edge with the same ink blender. Then I stamped. Then I took a different ink blender and added Carved Pumpkin right below where the Abandoned Coral ink had been (never cleaning the stamp as I went) and diffused it at the top and bottom. I continued this process moving down the hand and using Mustard Seed, Twisted Citron, Peacock Feather, and Wilted Violet. I went back a couple times to add more ink in some spots, being careful to feather it out on the edges. I was very happy with my results.




I used VersaFine Clair black ink to stamp the Sending Peace sentiment, part of the Still Here stamp set, on the right side of the index finger.


For the white background of the card, I decided to use a favorite background stamp of mine. It is the Simon Hurley Typewriter stamp from Ranger. I stamped with black VersaFine Clair ink to get a crisp image.


I trimmed my rainbow-stamped white panel and torn the bottom edge. I used Spellbinders Colorwheel cardstock in Peridot, Teal Topaz and Lilac and tore pieces of these, in the same width as my white cardstock, to layer underneath. I glued all these pieces together and then matted them onto a black piece of cardstock. I centered all this onto my white typewriter stamped background. I glued all this onto a white A2 cardbase. 


I finished the card with some color coordinated epoxy dots I had in my stash.


The highlighted links above are affiliate links. If you click through and shop from these I may receive a small commission at no cost to you. It is much appreciated and helps fund my crafting. Also, any item first marked with an asterisk* was provided at no cost by a retailer. Otherwise, I bought my supplies.



I recently got several packages of Tim Holtz’s Palette Paper Collection. It is absolutely dreamy. I’m so glad I got the Orange Tim Holtz 8x8 Palette Paper Collection, because it made the most ideal carrots. I used the Tim Holtz Abstract Elements die set to cut out 3 different sizes of carrots and then I edged them with Rusty Hinge Distress Ink to really make the orange pop. I used one die from Trinity Stamps Wildflower Clippings die set to create the carrot tops, cut from watercolor paper sprayed with Peeled Paint Distress Spray Stain.


I created Mr. McGregor’s Garden by taking Canson XL watercolor paper and dipping and drying it in a series of inks and sprays: Vintage Photo and Ground Espresso inkpads along with Frayed Burlap and Walnut Stain Spray Stains. I made dirt! I die cut this one large piece using the Lawn Fawn Puffy Clouds Border dies and a die from the retired Mama Elephant Slim Window Dressings Die Set. It was a bit of a trick getting the carrots glued just where I wanted them and then gluing the levels of dirt all together. I’m sure I did it the hard way.



I computer printed the “Mr. McGregor’s Garden” text onto Stampin’ Up! Crumb Cake paper and then cut it out (along with some green cardstock) using the sign dies out of the Tim Holtz Road Trip die set.

I made a tiny sentiment from the old Colorado Craft Company Bunnies and Robin stamp set.

I used a homemade cloud stencil along with Tumbled Glass Distress Ink to inkblend clouds in the sky.

I adhered the entire garden scene with foam tape on top of the cloud background. I was happy with how my garden grew. ;-) I am entering this in the Pick Three Challenge using text, slimline, and die cuts.

Affiliate links are used in this post at no cost to you. This means I may receive a small commission when you click through and shop using the links I provide. This helps support me in creating and posting my crafts. Items marked with an asterisk * at first mention were provided by a store or manufacturer. Otherwise, all items were purchased by me. I do not get paid to promote any products.


Mixed Media is a marathon. A card idea can come together and get produced relatively fast most of the time, but a big mixed media project takes time. The Simon Says Stamp Wednesday Challenge to use a bit of green sent me off in every direction. This giant tag is 6 1/4" x 9 1/4". I started with Tim Holtz Backdrops Vol 5 and chose an "Old Paper" piece. I cut it to a tab shape and matted it on black cardstock.  Instead of using actual stitching around the edge, I used a very old 49 & Market stamp set called Gabi's Line Stitching and stamped my stitching around the edge. Using Tim Holtz Blossom Stencil and his Opaque Crackle Paste I stenciled onto the paper. To knock down some of the brightness of the crackle paste, I dabbed on Old Paper Distress Ink. 




I rarely use my alcohol inks because I am usually not happy with my results, but this time I just wanted green. I used Ranger Alcohol Ink in Moss along with a little bit of Chronicle on a piece of Duralar paper to just get a mass of green. I die cut this with Tim Holtz Nested Hexagons dies and made a lot of hexagons and hexagon frames. I glued those down, some with foam adhesive. I splattered the tag with Distress Paint in Picket Fence. I took Tattered Rose Distress Spray Stain and Antique Linen Spray Stain and made a mass of an orange-y coral color on Canson XL watercolor paper. I cut 2 of the Tim Holtz Scribbly Butterflies from this and glued them together at the center. 




Next, I fussy cut these 2 amazing flowers from another sheet from the backdrops. That took time. Since the big flower was so fragile, I glued it to a piece of heavyweight vellum that I had already heat embossed with Peeled Paint Distress Embossing Glaze and Tim Holtz Floral Outlines stamp set (my favorite TH stamp set). I glued the small flower directly onto 2 hexagons. Since I wanted to lighten up the area behind my big flower, I put some thread along with a strip of Tim Holtz Mummy Cloth beneath it. I adhered the flower and vellum with carefully hidden foam adhesive. 


Finally, I inked and matted 2 phrases from Tim Holtz Idea-ology Clippings Sticker Book onto black cardstock and adhered them with foam adhesive. I tied some beautiful green Vivant ribbon around the hole I punched at the top. 


I am entering this into the Simon Says Stamp Monday Challenge and the Make My Monday Challenge and the Inspiration Station Challenge.


Affiliate links are used in this post at no cost to you. This means I may receive a small commission when you click through and shop using the links I provide. This helps support me in creating and posting my crafts. Items marked with an asterisk (*) at first mention, were provided by a store or manufacturer. Otherwise, all items were purchased by me. I do not get paid to promote any products.


I'm back today with a field of poppies. Years ago I bought some Stampin' Up! patterned paper called Peaceful Poppies. I think it is gorgeous, but I was just letting it sit in a bin until "one day." At the same time, I'm looking at my Spellbinders' Essential Arches dies thinking "I just haven't used those enough." So, for Mother's Day, I married the two and made a series of cards with 4 different color schemes. (I'm trying to work through my "one day" stash when the inspiration strikes.)







All four card designs feature the patterned paper from SU, heavyweight vellum from Amazon, the Arches dies from Spellbinders, the Small Stained Glass Butterfly from Poppystamps, the sentiment from MFT's Itty Bitty Birthday stamp set, a gorgeous 3D embossing folder from Crafter's Companion called Regency Swirls (I was today year's old when I learned the name of this - traded a friend for it years ago) and the Sentiment Strips die from Photoplay. The second card was my original and it features Stampin' Up! Cardstock in Poppy Parade (shocker, huh?) and the butterfly is cut from watercolor paper painted with Tim Holtz Seedless Preserves Distress Ink. I accidentally picked up the wrong size arches for the remaining cards, but it worked out okay. Those cardstock colors are all SU: Sweet Sugarplum, Granny Apple Green, and Pool Party. Butterflies are in Poppy Parade and Rich Razzleberry (a great match to the Seedless Preserves Ink). I added some sequins and Poppystamps clear Fairy Drops (looks like water) to many of the cards. 



These cards were a lot of fun to make and helped me cope with some losses we've been suffering here at home. I hope your springtime finds you facing the light of a new day. 

I'm entering 3 of these cards in the Time Out Challenges #286 using the words arches, floral, and in the case of the Pool Party card - water. 



My favorite Christmas make this season. I used the 2021 Die-cember die from Simon Says Stamp and Tim Holtz called Dash Away All. I die cut it from from heavyweight black cardstock. I liberally blended two Distress Oxide inks in Uncharted Mariner and Tumbled Glass on Neenah 110lb Classic Crest Solar White. I spritzed a very small amount of water on the inked panel to make it look like stars. Next, I flicked silver watercolor paint onto the panel from my Kuretake Gansai Tambi Starry watercolor set.




I used the other dies in the same set to cut out the moon and the stars from the background. Then I made a cardbase from the same Neenah cardstock and adhered a piece of Stampin' Up!'s So Saffron yellow cardstock to it in a size smaller than my inked panel. I popped up the black Santa and sleigh with foam adhesive and adhered it in place, then used the same adhesive to pop up the entire panel over the So Saffron cardstock on the front of the card.

Finally, I heat embossed Merry Christmas from Taylored Expressions Modern Holiday Greetings with white embossing powder on black cardstock (always tricky for me). I trimmed the sentiment and adhered it with foam adhesive.

I hope you have a fantastic holiday season and a wonderful and relaxing New Year.


You might be the same as me on this. Sometimes I see a card so beautiful and perfect I just have to copy it. Last October, Barbara Schiassi @barbarayaya, one of Tim Holtz's amazing makers, created a poinsettia card using his Tree Rings 3D Embossing Folder by Sizzix and Holiday Brushstrokes #3. I just adored it. Since I had just gotten his Tree Rings 3D folder and I had his Festive Bouquet die set, I decided I wanted to make some Christmas cards using both, sort of mimicking her design. 



Using Tim's Distress Kraft Heavystock, I embossed a panel with the Tree Rings Folder. Next, I misted the paper with Frayed Burlap Distress Spray Stain. Then, I used a domed foam blender to ink the raised areas with Walnut Stain Distress Ink, moving in circles and sort of avoiding the center. When it had dried a few minutes I misted on Iced Spruce Distress Oxide Spray. 



The Festive Bouquet poinsettia is cut from many different pieces of cardstock, almost all textured. I'm afraid I can't name the colors, but they are all most likely Bazzill cardstock. They were all in my stash. It took quite awhile to assemble the poinsettia bouquet for my cards -- and I only made 7 of these!! Before I adhered the bouquet down, I used Ranger's brand new Sparkle Texture Paste on a few leaves of the flower. It was super easy to work with and that process went really fast. I matted the entire thing on a Stampin' Up! Crumb Cake cardbase. Next I used Taylored Expressions Modern Holiday stamp set with black Memento ink on a piece of vanilla cardstock and die cut it using Stampin' Up!'s retired Stitched So Sweetly die set. I adhered this and I was done. 


Who needs handmade cards? Well, most of us have a use for some all year long. But - and I'll admit to being a full 3 years late to the party - there is an on-going drive for handmade cards put on by Scrapbook.com. The program is called Cards For Kindness. You send them handmade cards with matching envelopes and they send these cards to nursing homes, hospitals, organizations that help kids, etc. They have an ever changing set of needed cards, so it is very important to follow their guidelines and quantities (no less than 10 cards in a package), and fill out the submission form, when you mail them cards. I recently sent them 15 cards including this one. I found this fantastic stamp set, called Good Feelings, in the Stampin' Up! catalog and realized how ideal it was for many of their on-going needs. Not to mention, these giant sentiments are in beautiful fonts and take up plenty of real estate on a card front. 




You might notice I have some delicate patterned paper on this card. I could give you 100 guesses and I doubt you'd guess it was the backside of a bridal shower invitation for my youngest daughter, Lila. The hostess had a stack of extra invites and gave them to me. One I'll keep for a scrapbook, but just when I was about to toss the rest into recycling I noticed the backside. 

The die cuts are all from some Tim Holtz Sizzix Sets. Some use solid Stampin' Up! paper and the others are colored with Distress Spray Stains. All the ingredients for this card are below. Can't wait to try out these fun sentiments in lots of different ink colors.

Stamp: Good Feelings stamp set, Stampn' Up!
CS: Very Vanilla, Always Artichoke, Cajun Craze, Cherry Cobbler, Soft Sable, Pear Pizzaz
Dies: Stitched Rectangles by Paper Rose, Tim Holtz Sizzix Funky Foliage, TH Sizzix Garden Greens
Distress Spray Stains: Victorian Velvet, Antique Linen, Frayed Burlap

I just love taking dies that are traditionally meant for one particular season or holiday and repurposing them for something very different. Upon hearing of a young couple I know expecting their first child, I thought about how much joy they must be feeling. That led me to pull out the Poppystamps Stacked Joy die and try it with some pastel colored floral paper from Spellbinders and a sage green cardstock. I was happy with the result. I added some flowers by using the Poppystamps Floral Cake Pop Up Easel die set. This set has a great selection of flowers and leaves. All my leaves and flower centers are from this set, and my bottom flower is from there also. My other two flowers are the Lucky Layered Flowers die set. I colored all the flowers, centers, and leaves with Copic markers.



I wanted a pink glow coming from underneath the JOY and I achieved this by blending some Spun Sugar Distress Ink onto my Neenah Classic Crest 110lb white cardstock with a blending brush from the center outwards. I tried to keep to an oval shape for the ink. I glued this to a pale pink cardbase. Then I added the Flower Field Frame die cut from white cardstock on top of the blended panel. I wanted to pop the word JOY up so I cut it out of white fun foam and glued the paper die cuts to the top. I think the foam stretches out some when it is cut because it's a bit of a struggle to get the paper die cuts to completely cover the foam die cuts. I adhered this to the floral die cut.




Next, I added the leaves directly on top of the white floral die cut with liquid adhesive. Then, I attached the flowers with some foam adhesive. Finally, I stamped Welcome Baby, from Stampin' Up!'s And Many More stamp set and heat embossed it with with Ranger Ultra Fine silver embossing powder. I glued this directly onto the O. 

Do you ever repurpose holiday dies or stamps for something completely different?


I'm loving both Tim Holtz's new Ideaology Backdrops Volume 5 TH94309 and the Alphanumeric Bulletin dies #666281.


For this make, I wanted to do a typographic approach to an Easter make, and the rainbow in the new Ideaology papers made it so much fun to choose decorated pastel pages to cut from. I started with a beautiful dark green floral piece from Backdrops Vol. 5 as my base. I inked the edges with Gathered Twigs Distress Ink. Next, I found this fantastic monochrome catalog cover on a sheet of 12x12 paper in my Wallflower Tim Holtz Paper Stash pad. That was my real jumping off point. I distressed the edges with the Tonic Paper Distresser tool. I wanted more "age," so I daubed some brown distress ink (Ground Espresso I think) through the Tim Holtz Speckles stencil on the corners.

Next, I sorted through the new Ideaology Backdrop papers for a range of pastels with some printing on them. There were SO many choices, but I finally made my selection of papers ,and decided precisely where on the papers I wanted to cut from. I used the awesome new Alphanumeric Bulletin dies to cut EASTER. I also used a brown cardstock to cut the letters, but I only used the outlines. I wanted some depth and support for the letters, so I also cut tan foam with the same letters and glued the letter and the outlines onto it.



I liked the idea of a window with flowers outside. For the greenery, I used both Funky Foliage and Garden Greens to cut some watercolor cardstock that was dipped and dried with Peeled Paint and a little Forest Moss Distress Inks and sprays, as well as some Peeled Paint Distress Oxide Spray. I used watercolor paper colored with Victorian Velvet, Tattered Rose and Spun Sugar inks to cut flowers from Funky Foliage. Because I wanted the flower stems to "land" in just the right place, I decided to first glue my dimensional letters onto an Ideaology Baseboards Window Frame. Then, I actually glued all the flowers and most of the greenery to the back of the window. A few pieces of greenery I glued to the catalog cover paper. I used some particularly thick foam tape strategically placed on the back of the window so everything would be very dimensional when it was glued down. I was thrilled that this worked out so well.

I wanted a sentiment after the word Easter, but I still wanted to preserve the lovely picture of the nest on the catalog page. I finally decided to use the rose gold colored paper from the Tim Holtz Kraftstock in Classic Metallics to cut out WISHES using the Sizzix Alphanumeric Bold #665205. I cut out two additional 'wishes' from Ranger's Tim Holtz Kraft Heavystock and stacked the metallic letters on top, again for dimension. I glued these down onto the catalog cover image. I seriously considered stopping here, but I finally decided to add some velvet trim and a bow (from my stash, but it could be Ideaology) below 'wishes.' The finished piece measures 5.25" x 7.75". I'm very happy with how it turned out.

Happy Easter, everyone!


Simple geometric shapes like circles, squares, triangles and hexagons can be a card maker's best friend. I was thrilled to get my hands on the new Poppystamps' Deco Diamond Stencil Set. It has 3 stencils, each featuring smaller and smaller squares. There are lots of possibilities with how to use this versatile set.


For this card I used Distress Ink in Tumbled Glass and Broken China. I used a blending brush to apply the ink on white cardstock, first with the largest squares and Tumbled Glass. Next, I used the second largest squares and Broken China Distress Ink. At this point, I *should* have gone over my panel with an antistatic powder, but I neglected to. I wanted a punch of gold, so using the smallest squares stencil, I spread Tim Holtz's Translucent Texture Paste over it, removed the stencil and applied gold embossing powder over the top. My powder stuck in a few too many places due to static and I spent several minutes with a small, dry paintbrush, dusting off the excess powder as best I could. Then I heat embossed to get that great, slightly raised gold square all over.



I cut my panel to 3.75" x  5" so I could mat it twice, first onto turquoise blue cardstock, then onto a white cardbase.

Next, I used Poppystamps' Thank You Moonlight Script die to cut the shadow from white cardstock and the words from gold cardstock in Memory Box's Rainbow Reflections 6x6 Mirror Pad.

I wanted to add some foliage, so I used the leaves in the Leafy Vine Corner die set. I used a flower shaping tool to make them curl up some and adhered them to the card, once I had determined my placement. Finally, I attached the words with foam tape.

This was a fun card and I know I will use these same elements again and again. 




We're throwing our daughter and her fiance an engagement party between Christmas and New Year's Eve. I'm also throwing a bridal shower for a friend this summer. Both brides love the woodland theme for their wedding. I decided to hand make a banner featuring lots of Tim Holtz goodies.


I started with the Sizzix 3D Tree Rings Embossing Folder. I inked the deboss side of the inside of the folder with Ground Espresso Distress Oxide and ran Bazzill's Dark Kraft cardstock through. When it was embossed, I used a domed foam blender with walnut stain and inked in circles over the paper to color the raised portions. I inked the edges with Ground Espresso Distress Ink. The layer below that is from Tim Holtz Wallflower Ideaology Paper Stash 12 x 12" pad. I stitched around the edges in dark brown thread. The bottom layer is Bazzill's Capers cardstock. For all the embellishments I used watercolor paper. I used almost exclusively spray stains to color all the Sizzix die cuts using the sets Funky Foliage, Funky Insects, and Garden Greens. I used a few ink pad smooshes too. I used a spritz of Frayed Burlap on many items too.






The pink flowers use Victorian Velvet and Antique Linen. The smaller purple flowers use Seedless Preserves and Fossilized Amber. The yellow flowers used Frayed Burlap and Fossilized Amber. I used a brown Copic Marker for the donut shape in the center of the purple flower and the stem of the yellow flower. The greenery uses Shabby Shutters, Rustic Wilderness, Peeled Paint, and ink in Crushed Olive and Forest Moss. The red mushroom features Lumberjack Plaid and Frayed Burlap, and the blue one uses Stormy Weather, Speckled Egg and a tiny bit of Salvaged Patina. Tiny flowers use Milled Lavender Distress Ink.

The dragonfly is Wild Honey, Speckled Egg and Frayed Burlap. The ladybug used black cardstock and Lumberjack Plaid.

The giant letters are Stampin' Up!'s Old Olive cardstock cut on electronic die cutting machine.

In between letters I tied on Tim Holtz Hearts Adornments by Ideaology. The beige velvet ribbon is from my stash.

It's almost Christmas and my crafting is finished. Now I cook (I wish I was half as comfortable with that as I am with papercrafting.) Happy Holidays! 


I CASE'd Cheiron Tricarico Brandon's card from September 1, 2021 featuring the Oak Leaf Impresslit by Tim Holtz and Sizzix. It was simply perfect for a special card for a family member I had never met before, but I had sent many handmade cards to. My husband's, uncle Bruce is a self-professed hermit. Years ago I sent him a handmade Christmas card and he responded by sending me a handwritten letter thanking me for my cards and saying they reminded him of cards his mom used to make. 

Recently, he drove from southern Arizona to Dallas, TX to see his sister (my MIL) after decades away. I finally met him and gave him this card with the matching envelope. He loved it. He told me all the cards I have sent him over the years are on display in his house. Needless to say, I was beyond touched. 

I used the Impresslit folder on watercolor paper, then used a wide variety of Distress Spray Stains and Distress Inks to color the leaves. I used the Ranger Heat Tool in between layers to get that wonderful layered look. On my green leaf, I experimented by using a thin brown felt pen over some of the main veins on the leaf. Lastly, I added a spritz of Iced Spruce Distress Oxide Spray to a few leaves. 


Next, I went to work on the background. First, I heat embossed the saying from Pretty Pink Posh's Autumn Wreath stamp set with Ranger's Princess Gold ultra fine embossing powder. Next, I sprayed the dark brown background (Stampin' Up's Early Espresso CS) in the Tarnished Brass and Antiqued Bronze Mica Sprays. I used foam adhesive on the back of all the leaves, just as I guessed Cheiron had done. The card base is Stampin' Up!'s Crumb Cake CS. The envelope features the Ideology Black Kraft cardstock with a cut out using the Sizzix Alphanumberic Stretch uppercase. 




I had a blast making this card. I could have cut and colored those leaves for days on end. Here's to autumn, Uncle Bruce and Cheiron Brandon's fantastic work.